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Media Professionals of Florida

Media Professionals of Florida, Inc. provides informative meetings on the second Tuesday of each month For more information contact David Rosenblatt at info@mediaprofessionals.org

April

2009

The De-Mythification of the RED ONE Camera and the Post-Production Workflow
This month's meeting was held at PCC-TV in Clearwater.
As usual good food and networking always happens before the main program begins.
David Pless, President of Media Professionals of Florida, welcomes our guests and members and gives them an opportunity to tell everyone who they are and what they do for a living..
Rich Roddman, the Digital Imaging Technician for CMR describes the features of the RED camera.

Rich showed examples of how the Red One has a wide range of exposure and sensitivity options.  Film folks really love this!
There are many accessories manufactured specifically for the Red One.  Shown here are the Red Drive and on-board monitor.

The Red One has many tools to aid in proper exposure… histograms and stoplights, for example.

The attendees were intent during Rich’s explanations… this camera isn’t so mysterious, after all!
This is the fully tricked-out Red One from CMR.

Mike Weber, from CMR, provides a little extra close-up insight after the formal presentation.
Here Rich Roddman, the Digital Imaging Technician for CMR covers some of the many features of the RED camera. There was plenty of interest in this camera by attendees, who wanted a closer look at this innovative camera.
A special thanks to PCC-TV for hosting the meeting.

Speakers

Rich Roddman has worked in production and post-production for the past twenty years. His knowledge of film and video workflows include Broadcast Commercials in both national and regional markets, Live Television Broadcasts, Corporate Videos, Video Engineering and the ever changing world of web video. After working several years as Senior Editor for Fort Productions in New York City, Rich relocated to the Tampa Bay area and joined CMR Studios. He currently oversees all post-production projects and projects involving the RED ONE camera. His experience with directing, shooting, editing and compression allow him great insight to developing workflows that can take advantage of new technology without pitfalls of lost time or sacrificed quality.

For more information contact rich@cmrstudios.com or http://www.cmrstudios.com/

For more information on the RED Camera contact http://www.RedOneFlorida.com/